Catalogue des appareils cinématographiques de la Cinémathèque française et du CNC

Accueil > Collection > Vue d'optique

Vue d'optique

N° Inventaire : AP-94-754

Collection : La Cinémathèque française

Catégorie d'appareil : Visionnement

Numéro de fabrication : n° 7

Lieu de fabrication : Allemagne

Année de fabrication : À partir de 1730

Fiche détaillée

Type de l'appareil

gravure rehaussée de couleur ; perforations pour effets lumineux ; encadrement de bois

Auteurs

Informations non disponibles

Fabricants

Martin Engelbrecht
Augsbourg

Utilisateurs

Informations non disponibles

Distributeurs

Informations non disponibles

Sujet du modèle

Légende imprimée sur la gravure : "...aventa diu calido prae sanguine fervens... exemplo facta probat, Accenso simulata docet sic pectore pugna... Ludi equestres. Das Thurnieren. Wann junges Blut und Feur in weichem Adern wallt, Da findet Tapferkeit beÿ Z

Objectif

Informations non disponibles

Taille de l'objet

Ouvert :
Informations non disponibles

Fermé :
Largeur : 34 cm
Hauteur : 22.5 cm

Diamètre :
Informations non disponibles

Taille de la boîte de transport

Informations non disponibles

Remarques

Va avec AP-94- 704.

Légende imprimée sur la gravure : "...aventa diu calido prae sanguine fervens... exemplo facta probat, Accenso simulata docet sic pectore pugna... Ludi equestres. Das Thurnieren. Wann junges Blut und Feur in weichem Adern wallt, Da findet Tapferkeit beÿ Zeiten Aufenthalt, Und der verstellte Kampf de... Blut erhizet, Macht dass ein sanfter Muth im Frost aud Feinde blizet".

"Martin Engelbrecht (1684-1756), a native of Augsburg was the son of a colour merchant. He began his career as an artist by the attachment to a local publishing house but had by 1708 moved to Berlin where he was engaged in the designs after Eosander von Goethe of a the Silberbüfett im Ritterall at Berlin and of a porcelain cabinet in Charlotttenberg. Returning to Augsburg he was involved in illustrating a wide variety of works after various artist mainly on subjects connected with the decorative arts. However in 1711 Engelbrecht was again in Berlin working at a fine art publishers with his older brother Christian Engelbrecht (1672-1735). They decided to start their own independent publishing house at Augsburg in 1719 where they produce a wide variety of graphic works. It was with peepshows Martin Engelbrecht excelled having the unique position of no other publishing house or place of publication to compete against him. Engelbrecht was kept busy with the many other special graphics and employed two artists, Jeremias Wachsmuth (1711-1771) and Johann David Nessenthaler (1717-1766), to produce designs for the peepshows. Wachsmuth’s work can be found as early as 1731, and those by Nessenthaler starting from 1737. With Martin Engelbrecht's death in 1756, the business continued to thrive under the management of Engelbrecht's daughters and sons-in-law, and continued on well into the nineteenth century" (Marlborough Rare Books Catalog, List XLV, 2009. pp. 33-34).

Bibliographie

W. Day, Illustrated Catalogue of the Will Day Historical Collection, Londres, s.d.
[1934], p. 9.